Tutorial adobe media encoder cs5.5
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How YouTube Encodes Videos. Current Digital Edition. By Jan Ozer Posted on July 8, Page 1 of 2 next ». Related Articles. In this tutorial you'll learn how to create and edit industry-standard closed captions for video using the new closed-captioning capabilities in the just-released Adobe Premiere Pro CC. Adobe Premiere Pro CC includes dramatic new editing features, customizations, and improvements to help editors work efficiently, and it integrates powerful color workflows, with the addition of the Lumetri Deep Color Engine to easily apply rich color grading looks.
If you ever find yourself having to render multiple sequences from Premiere Pro, there's an easier way to do it than by using the Premiere Pro Export control.
This tutorial will explain the easier and more efficient way using Adobe Media Encoder. Exploring 3 new key features in Audition CC, the newest version of Adobe's professional audio editing application: Sound Removal for eliminating hums and other variable-frequency unwanted noises, the Loudness Radar Meter for matching and adhering to broadcast volume standards, and Automatic Speech Alignment for ADR.
Repetitive tasks are part of video editing, but they don't have to be tedious in Adobe Premiere Pro CC if you use one of the multiple techniques described in this tutorial. In the first post I wanted to cover two key settings that I use.
The example screen shots are CS5. These setting should work in other versions as well. The import and sequence stage is one of the most critical points in the process since Premiere is a little less forgiving later in the process.
I personally create a project folder that will house everything I need. The Assets folder is where I place my audio and video source files. The only exception to the Assets folder rule is when I know I have shared bumpers or source files.
But if you can spare the disk space, I say drop it in the project specific Assets folder. The same organization ideas should carry into your actual project browser. This helps me keep my workspace clean and know where to go to grab my files. But this is up to you. It has no bearing on the output, only your own workflow sanity.
When you create a sequence, pay close attention to your sources. Mostly you will probably work with a consistent size and frame rate and they will probably match the industry-standard settings. Sometimes you mix and match media that is different sizes. I personally like to work where there is the most consistency and I have to do less scaling.
Remember, scaling up looks worse than scaling down. Method 3 just creates it appropriately. In the New Sequence dialog you can choose from many presets.
I always recommend naming your sequence to something meaningful and if you consistently work with the same types of settings, go ahead and create your own preset. This will make it easier to load your own settings each time.
Be sure to name the preset something meaningful too. The most important step for exporting is determining your target output. Some folks will decide they have other workflows to export uncompressed renders and use other tools to compress to the final output with tools like Sorenson squeeze. Let me talk about my preferences for each of these approaches.
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